Alisha Patel

Community centers can transform urban environments by integrating principles of monastic architecture, fostering a balance between personal introspection and collective engagement. Influenced by the spatial layering of monastic complexes, this thesis positions the community center as a distinctive yet integral element within the cityscape. It draws on precedents such as Bernard of Clairvaux’s architectural theories, which emphasized simplicity, functional design, and spiritual reflection. While Bernard advocated for seclusion to maintain sacred boundaries, this thesis proposes that openness and community interaction can amplify the spiritual and cultural relevance of such spaces—merging the contemplative with the inclusive.

Historical and contemporary examples illustrate the adaptability of monastic principles to urban design. Bernard’s ideals of layered spatial transitions, embodied in the classic Cistercian plan, find resonance in the architectural logic of the Château de Chambord, where the central double-helix staircase and hierarchical spatial organization create a sense of procession, orientation, and introspection within an otherwise monumental setting. Similarly, the hierarchical organization of Château de Coucy and the geometric logic of Florence’s fortification drawings demonstrate how spatial structuring and controlled progression can guide users through varied experiences of enclosure, movement, and discovery. These precedents inform a design approach that weaves together layered environments, defined thresholds, and gradual transitions to cultivate both reflection and social interaction.

This thesis explores the communal as both enmeshed in and secluded from the contemporary city. Central to this investigation are partially enclosed open spaces—courtyards and their architectural interfaces—that blur the lines between interior and exterior, solitude and gathering. Elements such as overhangs, awnings, arcades, cloisters, bastions, as well as squares, atriums, and gardens, serve as spatial tools to draw the city inward. In doing so, the thesis envisions the community center as an urban sanctuary—one that reconciles the dualities of monastic architecture—seclusion and openness, simplicity and ornamentation—while addressing the complex needs of contemporary urban life.